MOLOCH
“You shall not give any of your children to devote them by fire to Moloch, and so profane the name of your God”

Molech (Hebrew), is the word Melech or king, transformed by interposing the vowels of bosheth or 'shameful thing'

Moloch went by many names including, but not limited to Ba'al, Moloch, Apis Bull, Golden Calf, Chemosh as well as many
other names and was widely worshipped in the Middle East and wherever Punic culture extended
Moloch appears in-
1 Kings 11:7
Then did Solomon build a high place for Chemosh, the abomination of Moab, in the hill that is before Jerusalem, and lmlk,
the abomination of the Sons of Ammon.

Amos 5.26:
But you shall carry Sikkut your king, and Kiyyun, your images, the star-symbol of your god which you made for yourself.

Acts 7.43:
You have lifted up the shrine of Molech and the star of your god Rephan, the idols you made to worship

Leviticus 18.21
And you shall not let any of your seed pass through l'Molech, neither shall you profane the name of your God: I am the Lord.

Leviticus 20.2–5:
Again, you shall say to the Sons of Israel: Whoever he be of the Sons of Israel or of the strangers that sojourn in Israel, that
gives any of his seed l'Molech; he shall surely be put to death:

2 Kings 23.10:
And he defiled the Tophet, which is in the valley of Ben-hinnom, that no man might make his son or his daughter pass
through the fire l'Molech.

Jeremiah 32.35:
And they built the high places of the Ba‘al, which are in the valley of Ben-hinnom, to cause their sons and their daughters
to pass through the fire l'Molech; which I did not command them, nor did it come into my mind that they should do this
abomination, to cause Judah to sin.

The 12th century rabbi Rashi, commenting on Jeremiah 7.31 stated:
Tophet is Moloch, which was made of brass; and they heated him from his lower parts; and his hands being stretched out,
and made hot, they put the child between his hands, and it was burnt; when it vehemently cried out; but the priests beat a
drum, that the father might not hear the voice of his son, and his heart might not be moved.

A different rabbinical tradition says that the idol was hollow and was divided into seven compartments, in one of which they
put flour, in the second turtle-doves, in the third a ewe, in the fourth a ram, in the fifth a calf, in the sixth an ox, and in
the seventh a child, which were all burned together by heating the statue inside

Greek and Latin sources speaking of the offering of children by fire as sacrifices in the Punic city of Carthage, which was a
Phoenician colony. Cleitarchus, Diodorus Siculus and Plutarch all mention burning of children as an offering to Cronus or
Saturn, that is to Ba‘al Hammon, the chief god of Carthage.

Paul G. Mosca, translates a scholia to Plato's Republic as:
There stands in their midst a bronze statue of Kronos, its hands extended over a bronze brazier, the flames of which engulf
the child. When the flames fall upon the body, the limbs contract and the open mouth seems almost to be laughing until the
contracted body slips quietly into the brazier. Thus it is that the 'grin' is known as 'sardonic laughter,' since they die
laughing.

Diodorus Siculus (20.14) wrote:
There was in their city a bronze image of Cronus extending its hands, palms up and sloping toward the ground, so that each
of the children when placed thereon rolled down and fell into a sort of gaping pit filled with fire.

Diodorus also relates relatives were forbidden to weep and that when Agathocles defeated Carthage, the Carthaginian
nobles believed they had displeased the gods by substituting low-born children for their own children. They attempted to
make amends by sacrificing 200 children of the best families at once, and in their enthusiasm actually sacrificed 300 children.

Plutarch wrote in De Superstitiones 171:
... the whole area before the statue was filled with a loud noise of flutes and drums so that the cries of wailing should not
reach the ears of the people.

Like some other gods and demons found in the Bible, Moloch appears as part of medaeval demonology, as a Prince of Hell.
This Moloch finds particular pleasure in making mothers weep; he specialises in stealing their children. According to some
16th century demonologists, Moloch's power is stronger in October. It is likely that the motif of stealing children was
inspired by the traditional understanding that babies were sacrificed to Moloch.

In John Milton's Paradise Lost, Moloch is one of the greatest warriors of the rebel angels, vengeful and militant,

"besmeared with blood, Of human sacrifice, and parents' tears."

He is listed among the chief of Satan's angels in Book I, and is given a speech at the parliament of Hell in Book 2:43 - 105,
where he argues for immediate warfare against God. He later becomes revered as a pagan god on Earth.

Salammbô, a semi-historical novel about Carthage by Gustave Flaubert published in 1888, was extraordinarily successful.
Flaubert created his own version of the Carthaginian religion, including the god Moloch, whom he made to be the god to
whom the Carthaginians offered children.

Chapter 13 describes luridly how, in desperate attempt to call down rain, the image of Moloch was brought to the center of
Carthage, how the arms of the image were moved by the pulling of chains by the priests, and then describes the sacrifices
made to Moloch. First grain and animals of various kinds were placed in compartments within the statue, then the children
were offered, at first a few, and then more and more.

In 1921 Otto Eissfeldt, excavating in Carthage, discovered inscriptions with the word MLK which in the context meant
neither 'king' nor the name of any god. He concluded that it was instead a term for a particular kind of sacrifice, one which
at least in some cases involved human sacrifice. A relief was found showing a priest holding a child. Also uncovered was a
sanctuary to the goddess Tanit comprising a cemetery with thousands of burned bodies of animals and of human infants,
dating from the 8th century BC down to the destruction of Carthage in 146 BC. Eissfeldt identified the site as a tophet,
using a Hebrew word of previously unknown meaning connected to the burning in some Biblical passages. Most of the
children's bodies appeared to be those of newborns, but some were older, up to about six years of age.

Eissfeldt further concluded that the Hebrew writings were not talking about a god Moloch at all, but about the molk or
mulk sacrifice, that the abomination was not in worshipping a god Molech who demanded children be sacrificed to him, but
in the practice of sacrificing human children as a molk. Hebrews were strongly opposed to sacrificing first-born children as
a molk to Yahweh himself. The practice may have been conducted by their neighbors in Canaan.

Similar "tophets" have since been found at Carthage and other places in North Africa, and in Sardinia, Malta, Sicily . In late
1990 a possible tophet consisting of cinerary urns containing bones and ashes and votive objects was retrieved from
ransacking on the mainland just outside of Tyre in the Phoenician homeland

John Day, in his book '
Molech: A God of Human Sacrifice in the Old Testament" again put forth the argument that there was
indeed a particular god named Molech, citing a god mlk from two Ugaritic serpent charms, and an obscure god Malik from
some god lists who in two texts was equated with Nergal, the Mesopotamian god of the underworld.

Alex Jones' film
"Dark Secrets: Inside the Bohemian Grove" in which Alex enters the grove, depicts Moloch being the center
of worship. Through his entry he found many occult symbols and rituals being performed in the name of Moloch.
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